The Saint Benedict Medal

Deployed as the Ultimate Exorcism Against the Enemy

St. Benedict Front Relief
St. Benedict Medal Reverse

The History

The Authoritative Shield of Exorcism

The Lineage of the Exorcism Shield: The Saint Benedict Medal stands as one of the most powerful, structurally precise sacramentals recognized and formally codified by Holy Mother Church. Rooted in the heroic life of Saint Benedict of Nursia (c. 480–547), the Father of Western Monasticism, its spiritual efficacy flows directly from his documented, miraculous victories over diabolical plots. As recorded in the Dialogues of Pope Saint Gregory the Great, jealous adversaries repeatedly attempted to assassinate the holy Abbot. In one instance, a chalice filled with lethal poison shattered into pieces the moment Saint Benedict made the Sign of the Cross over it; in another, a raven miraculously intervened to carry away a loaf of poisoned bread sent to destroy him. These historic triumphs established the Holy Cross as his primary instrument for forcing the devil to flee, cementing the visual foundation of the medal.

The Forgotten Deciphering and Papal Mandate: For centuries, the complete protective prayers embedded within the medal remained shrouded in mystery, represented only by an enigmatic sequence of capital letters surrounding the central cross. The hidden code was finally unearthed in 1647 at Saint Michael’s Abbey in Metten, Bavaria, inside an ancient 1415 manuscript depicting Saint Benedict holding a cross-tipped staff and a scroll inscribed with the full Latin phrases. Recognizing its profound supernatural utility in shattering curses and warding off witchcraft, Pope Benedict XIV issued formal, authoritative Papal Approvals on December 23, 1741, and March 12, 1742, validating the original, historic design. This authentic, traditional strike featured the sacred Christological trigram "IHS" at its summit, emphasizing that all authority to command demons resides strictly under the Holy Name of Jesus.

The Modernist Jubilee Subversion of 1880: The traditional, uncorrupted layout approved by Pope Benedict XIV was systematically marginalized through a calculated, modernist deception in the late 19th century. Under the pious pretext of celebrating the 1,400th anniversary of Saint Benedict's birth in 1880, a newly designed "Jubilee Medal" was struck at the Archabbey of Monte Cassino. This redesign was driven primarily by Very Rev. Boniface Krug, an influential prior of Monte Cassino, working in lockstep with the artists of the Beuron Art School in Germany—a movement heavily criticized for injecting esoteric, Egyptian-style geometry and modernist abstractions into sacred Catholic art. In this 1880 Jubilee redesign, the supreme Holy Name of Jesus (IHS) was explicitly erased from the apex of the medal and substituted with the secular-leaning Benedictine motto "PAX" (Peace). By subverting the original papal framework and replacing the Name above all names with an ambiguous, pacifist slogan, these modernist-leaning figures compromised the explicit, offensive nature of the traditional exorcism shield—a deception that mass-market commercial manufacturers continue to propagate today.

The Authority of the Inscriptions: Our fine-arts restoration completely rejects the 1880 Beuron alterations, restoring the uncompromised papal layout with the supreme "IHS" monogram at its crown. The entire reverse side of the shield operates as a dense, unyielding Latin formula of deliverance. Utilizing Latin—the dead, unchanging, and sacred language of the Church—strips the devil of any room for ambiguity, operating as a terrifying, binding frequency during spiritual warfare. The inner cross bears the initials of the unmoving prayer: C.S.S.M.L. (Crux Sacra Sit Mihi Lux / "May the Holy Cross be my light") and N.D.S.M.D. (Non Draco Sit Mihi Dux / "May the dragon never be my guide"). The four quadrants surrounding the cross feature C.S.P.B. (Crux Sancti Patris Benedicti / "The Cross of Holy Father Benedict"). Encircling the outer rim is the aggressive, authoritative command of formal exorcism: V.R.S.N.S.M.V. - S.M.Q.L.I.V.B., which unpacks into the timeless mandate: Vade Retro Satana! Nunquam Suade Mihi Vana. Sunt Mala Quae Libas; Ipse Venena Bibas! ("Begone, Satan! Never suggest to me thy vanities. Evil are the things thou profferest; drink thou thine own poison!")

The Specific Safeguards of the Uncompromised Medal

  • Shattering Curses, Sorcery, and Witchcraft: Tracing back to the famous 1647 trials at Natternberg, where local covens confessed that their occult spells were rendered completely impotent against areas protected by this cross, the medal stands as an unyielding wall. Witches, warlocks, and demonic workers are paralyzed and rendered entirely powerless in the presence of an authentic, uncorrupted medal.
  • Absolute Neutralization of Poisons: Commemorating the divine preservation of Saint Benedict from assassination, the medal delivers a specific level of protection against toxins, chemical hazards, and the venom of poisonous beasts, safeguarding the physical health of the bearer.
  • The Ultimate Weapon of the Exorcist: Trusted implicitly by formal Catholic exorcists throughout church history, the medal acts as an immediate terrifier of demons. When traditionally blessed with the Church's proper rite of deliverance, it suppresses demonic infestation, repels localized spiritual oppression, and forces hidden entities to betray their presence and retreat.
  • Deflection of Calamities and Tempests: Historically buried by the faithful in the foundations of homes and the corners of agricultural fields, the medal is an established remedy against violent storms, lightning strikes, demonic pestilences, and environmental disruptions engineered by the prince of the power of the air.

The Design

An Uncompromising Restoration of Sacred Imagery

The Obverse Image: Our obverse face breaks entirely away from standard industry shortcuts to present a profound, highly detailed three-dimensional relief of Saint Benedict, meticulously restored to honor the 18th-century papal-approved tradition while remaining wholly unique to our studio. While most modern commercial duplications default to a circular shape—a design convention popularized worldwide by the introduction of the 1880 Jubilee edition—our restoration resurrects the authentic, elegant **oval geometry** characteristic of the original sacramentals. Within this dignified boundary, the holy Abbot stands in absolute architectural majesty, gripping the Holy Cross firmly aloft in his right hand as his primary instrument of deliverance, while holding the Holy Rule securely in his left. At his feet, the design executes a radical purification of the sacred timeline: the corrupting, occultist symbols popularized by late-19th-century modernism have been systematically erased. The subverted chalice containing a writhing serpent has been entirely removed from the landscape, and the traditional mitre sits cleanly restored on the bedrock. To his left, the raven is masterfully rendered in deep relief, carrying away the poisoned loaf of bread—permanently correcting modern mass-market strikes that replaced this providential bird with a corrupted, phoenix-like caricature trampling the bread.

The Obverse Latin Inscription: Flanking the pristine central relief of the patriarch of Western monasticism is the authoritative Latin inscription: "CRVX S. P. BENEDICTI" (The Cross of Holy Father Benedict). Rendered in high-relief Roman characters that sweep along the clean oval contours of the frame, this traditional text strips away modern vernacular compromises and shorthand. By elevating the original 1742 phrasing with crisp, legible spacing, the layout anchors the obverse face to an uncompromised theological baseline, projecting spiritual gravity and ancient monastic authority.

"Every structural contour and every character of the traditional Latin inscriptions is preserved exactly as codified by the Church, ensuring this sacramental acts as an uncompromised shield of spiritual warfare."

The Return of the IHS Monogram: The reverse face of our sacramental marks a triumphant return to true Catholic orthodoxy by restoring the sacred Christological trigram "IHS" to the absolute apex of the medal. This restores the explicit layout approved by Pope Benedict XIV, reversing the modernist subversion of 1880 which stripped the Holy Name of Jesus from the medal's crown and substituted it with a secularized, pacifist slogan. By repositioning IHS at the summit of the outer border, the geometry correctly re-establishes that all power of formal exorcism and command over demonic forces flows exclusively under the supreme sovereignty of Our Lord Jesus Christ.

The Reverse Cross and Exorcism Framework: The center of the reverse face is dominated by an unyielding, broad-armed Cross nestled perfectly within an inner oval border. Carved with mathematical symmetry, the arms of the cross encapsulate the definitive, historic shorthand of the Church's rite of deliverance: the vertical pillar reads C.S.S.M.L. and the horizontal beam reads N.D.S.M.D.. Nestled within the four quadrants of the intersecting bars are the crisp letters C.S.P.B.. Surrounding this sacred anchor, the wide outer border serves as a continuous, micro-engraved ring containing the terrifying formulas of binding command, punctuated by clean geometric points. Free from occult distortions or modern manufacturing shortcuts, this reverse layout provides a flawless, high-contrast weapon of deliverance, precisely engineered to force the ancient enemy to retreat.

False Reproductions

The Proliferation of Modern Errors

A Subverted Landscape: Unlike minor variations born from standard manufacturing limits, the structural changes found on mass-market Saint Benedict Medals frequently reveal a systemic introduction of subverted, modernist, and secularized symbolism. Many modern manufacturers produce and distribute these compromised designs completely unknowingly, proliferating historical errors that directly obscure the authentic sacramental blueprint approved by the Church. Preserving the exact, codified geometry of this ancient shield against the powers of darkness is of paramount importance; when a spiritual formula is altered, its traditional integrity is broken. Whether driven by standard commercial shortcuts or deliberate subversion by overt haters of the faith, the modern marketplace is flooded with corrupted variants. To arm the faithful with absolute vigilance, we have analyzed the primary structural errors—broken down across ten distinct examples—to show you exactly what to watch out for when evaluating a medal.

The Cost of Compromise: We weave this critical warning into our presentation because the spiritual stakes of sacramental warfare could not be higher. When the historic geometry of the Saint Benedict Medal is altered, its symbolic alignment with the Church's ancient rite of deliverance is severely compromised. Furthermore, the mass production of these flawed strikes increases the problem exponentially worldwide, leading well-meaning Catholics to carry and propagate compromised layouts that dilute the explicit christocentric focus intended by Pope Benedict XIV. Our objective is to thoroughly educate the faithful, piercing through widespread consumer ignorance so that believers can make truly informed, vigilant choices when acquiring this vital defensive armor.

The Ultimate Litmus Test: The most pervasive and severe corruption found on modern reproductions stems from the global copying of the 1880 Jubilee edition, which fundamentally altered the reverse apex of the medal. In true Catholic orthodoxy, the absolute summit of the reverse border belongs exclusively to the sacred Christological trigram "IHS" (derived from the Greek name for Jesus, historically representing the Latin phrase Iesus Hominum Salvator—Jesus, Savior of Men), as established in the definitive 1742 papal codification. Modern mass-market strikes routinely strip the Holy Name of Jesus entirely from the design, substituting it with the acronym "PAX" (the Latin word for Peace). While "PAX" carries a generic monastic sentiment, its placement at the crown of the medal represents a calculated symbolic shift that removes the supreme name before which every knee must bow.

"If you look at the absolute summit of the reverse face and see the word PAX instead of the sacred monogram IHS, this is an immediate, definitive sign that your medal is a false reproduction. You can stop looking for further corruptions right then and there. The removal of Christ trumps all other structural subversions."

The Degradation of the Sacred History: The distortion extends directly onto both faces of the sacramental, where the historical narrative of Saint Benedict's life and the geometric purity of the cross are routinely cheapened or flatly corrupted. On the obverse face, modern mass-market iterations frequently strip the Abbot of his primary instrument of deliverance, showing him completely empty-handed or omitting the Holy Cross entirely. Furthermore, false strikes routinely depict the saint wearing his monastic hood—contrary to the original, unhooded papal strike—while distorting his holy halo into a radiant, multi-rayed sun that directly mirrors pagan sun-worship iconography. Mirroring the architectural layout of a Masonic lodge, the modern Jubilee design often frames the saint between two prominent, unauthorized pillars on his left and right. Traditional iconography demands that the providential raven at the Abbot's side be rendered in deep, recognizable relief as it carries away the poisoned loaf of bread. In false and low-quality strikes, this sacred bird is frequently distorted into a bizarre, phoenix-like caricature that appears to be trampling or nesting in the bread rather than removing it. This systemic degradation continues onto the reverse face, where the central cross is routinely warped with strange, esoteric symbols flanking its terminal ends, while the very foot of the crucifix layout is undercut by a twisting, corrupted mark resembling a worm. To completely neutralize the sacred field, commercial operations frequently stamp secular country markings like "Italy" or custom corporate logos directly into the devotional space, reducing a terrifying weapon of exorcism into a muddy, unreadable commercial trinket.

False Medal Presentation Figure 1

Figure 1: Obverse Example 1

Figure 1 Analysis

This is the most pervasive version of the medal in circulation today. Derived from the unauthorized 1880 Jubilee redesign, it is heavily saturated with modernistic, occult, and secularized motifs. While the sharp engraving and high physical detail deceptively suggest a premium sacramental, the strike immediately exposes its unauthentic lineage by defaulting to a secularized, circular geometry.

"A" replaces the traditional holy halo behind the head of Saint Benedict with a sharp, multi-rayed radiant sun—a geometric convention historically tied directly to pagan sun-worship iconography.

"B" depicts the patriarch wearing his cowl over his head, flatly contradicting the original 1742 papal-approved design where his monastic hood sits off his head to signify standard theological clarity.

"C" introduces two distinct, unauthorized architectural pillars flanking the saint, an intentional structural addition that directly echoes the symbolic layout of a Masonic lodge.

"D" deforms the providential raven into a bizarre, phoenix-like caricature that appears to be actively trampling the sacrificial bread rather than miraculously carrying it away from the saint's side.

"E" introduces a highly detailed, slithering serpent escaping from the interior of the chalice—a modernist allusion to demonic deception that was entirely absent from the original, uncorrupted Church strike.

"F" exposes strange, unauthorized triangular symbols geometrically punched on each side of the pillars, further cluttering the sacred field with esoteric emblems.

False Medal Presentation Figure 2

Figure 2: Obverse Example 2

Figure 2 Analysis

Another mass-market iteration attempting to replicate the 1880 paradigm. While tracking the same masonic and modernist framework of Figure 1, this circular strike introduces a localized layout deviation and is executed on a vastly inferior, low-grade commercial alloy.

"A" introduces the text "PAX" directly beneath the feet of Saint Benedict. This text was never present in the original design; its placement at the absolute base of the portrait implies the saint is trampling or subverting the concept of true peace.

"B" replicates the unauthorized hooded cowl configuration, obscuring the authentic unhooded posture codified by Pope Benedict XIV.

"C" retains the structural masonic dual-pillar framing on the left and right margins of the inner field.

"D" features the slithering demonic serpent emerging from the chalice, but the layout swaps the configuration entirely with the bird, moving the snake to the right side of the composition.

"E" shifts the corrupted, phoenix-like caricature trampling the bread over to the left side of the saint's portrait, breaking the historical narrative layout.

"F" preserves the anomalous, non-traditional triangular symbols punched adjacent to the pillar bases.

False Medal Presentation Figure 3

Figure 3: Obverse Example 3

Figure 3 Analysis

This circular alloy strike breaks away from the standard 1880 Jubilee layout but introduces an entirely separate set of unauthentic, localized iconographic mutations that deviate from the papal standard.

"A" inserts an unauthorized "PAX" text block, isolating it strangely on the right side of Saint Benedict's torso.

"B" strips the saint of his primary instrument of deliverance; he is depicted gripping a monastic crosier (crook) in his right hand instead of firmly holding aloft the Holy Cross.

"C" alters the authoritative Latin framework by substituting a completely new obverse inscription: "S. Benedictus Monach Occiden Patriarcha" (Holy Benedict, Patriarch of Western Monks).

"D" breaks the clean devotional border by adding an unauthentic manufacturing tracking mark directly onto the outer rim.

"E" correctly places the providential raven on the right side, highlighting how a strike can mimic a few true historical placements while remaining fundamentally unauthentic.

"F" displays the traditional episcopal mitre correctly on the left, demonstrating a deceptive mixture of valid and invalid details.

False Medal Presentation Figure 4

Figure 4: Obverse Example 4

Figure 4 Analysis

A deceptive and structurally beautiful high-quality strike that successfully implements the traditional oval silhouette. However, it completely abandons the codified theological blueprint of the Church to present a wholly modernized, non-sacramental aesthetic.

This variant reduces the full-length majesty of the saint to a simple cropped torso. Instead of the mandatory Holy Cross of deliverance, the portrait shows the saint holding a basic monastic crook. Most critically, the unyielding Latin formulas are completely erased, replaced by a vernacular English invocation: "St. Benedict, Protect Us." While suitable as a generic devotional medal, it lacks the strict geometric and linguistic properties required to function as an uncompromised weapon of exorcism.

False Medal Presentation Figure 5

Figure 5: Reverse Example 1

Figure 5 Analysis

This represents the reverse face of the standard, circular 1880 Jubilee strike. Although executed as a clean, high-contrast matrix, it serves as the archetype for modern geometric subversions on the reverse face of the sacramental.

"A" triggers the ultimate litmus test of subversion: the sacred Christological monogram IHS has been completely erased from the reverse apex and replaced with the secularized acronym PAX.

"B" distorts the terminal points of the central cross by welding strange, decorative loops onto the ends of the cross arms, warping its geometric linear focus.

"C" isolates the definitive quadrant characters—C.S.P.B.—by wrapping them inside tight, individual circular borders, breaking up the textual flow of the sentence.

"D" reveals a highly irregular, elongated worm-like symbol cutting directly across under the base of the cross, seemingly undercutting the stability of the crucifix layout.

"E" blemishes the sacred field by stamping a commercial country of origin mark ("ITALY") directly into the medal.

False Medal Presentation Figure 6

Figure 6: Reverse Example 2

Figure 6 Analysis

This reverse variant is nearly identical to the 1880 format seen in Figure 5, yet it showcases an interesting manufacturer modification that attempts to mask its structural errors.

"A" restores the Holy Name to the crown of the border, though it alters the character typography to read as "JHS" rather than the traditional "IHS" monogram.

"B" shifts the secularized "PAX" text away from the crown and plants it directly at the foot of the cross, explicitly replacing the worm-like symbol seen in the previous example.

"C" maintains the unauthentic modern practice of trapping the C.S.P.B. characters within separate circular frames, fragmenting the cohesive delivery of the sigils.

"D" continues to feature the non-traditional, soft loop designs extending from the terminal endpoints of the main cross arms.

False Medal Presentation Figure 7

Figure 7: Reverse Example 3

Figure 7 Analysis

A mediocre, mid-grade circular variant that presents a rare hybrid layout. It attempts to maintain the textual integrity of the original papal-approved features but squeezes them into an unauthorized circular footprint.

"A" correctly preserves the sacred IHS monogram at the absolute apex of the outer border ring, validating the christocentric order of the formula.

"B" introduces an unauthentic structural addition by engraving three distinct Passion nails directly at the base of the central cross. While theologically pious, this addition deviates from the streamlined, papal-codified sacramental matrix.

*(Note: This strike attempts a unique square-and-circle arrangement of the surrounding letters; however, it leaves their structural spelling uncorrupted, making it a rare example of a circular medal that avoids the total erasure of the Holy Name).*

False Medal Presentation Figure 8

Figure 8: Reverse Example 4

Figure 8 Analysis

This strike presents a highly deceptive threat to consumers. It is struck on a clean, decent-quality matrix using the traditional, highly sought-after oval silhouette—yet it is completely compromised from a theological perspective.

This design is not an original restoration; it is merely an adaptation of the flawed 1880 Jubilee layout forced into an oval frame.

"A" fails the primary christocentric litmus test by completely erasing IHS from the summit, substituting the secularized PAX at the crown of the oval.

"B" interrupts the clean, devotional area below the cross layout by stamping a commercial country origin mark ("ITALY") into the field.

"C" encloses the C.S.P.B. quadrant characters inside unauthentic circular boundaries, breaking up the ancient textual sequence.

False Medal Presentation Figure 9

Figure 9: Reverse Example 5

Figure 9 Analysis

A premium, crisp, high-detail variant rendered in fine precious metal that utilizes the authentic oval form. Much like Figure 8, it represents a highly dangerous adaptation that copies the 1880 errors directly into a traditional frame format.

"A" completely discards the Holy Name of Jesus at the reverse apex, locking the secularized PAX acronym into the premium crown position.

"B" adds a strange, completely unauthorized geometric tally mark directly adjacent to the word PAX.

"C" breaks the flow of the traditional formula by forcing individual circular rings around each of the four C.S.P.B. characters.

"D" incorporates the unauthentic, soft scroll-like loops at the terminal tips of the crossbars, destroying the rigid geometric lines.

"E" blemishes the consecrated field below the cross layout by mechanically engraving a commercial material purity hallmark ("S925") directly into the devotional space.

The Restored Uncompromised Shield: Our fine-arts restoration completely rejects these modern, secularized degradations to deliver an uncompromising, premium spiritual weapon. Recognizing and intentionally avoiding these false reproductions is critical; acquiring compromised symbols detaches the sacramental from its true historical root. Our version breaks entirely away from the modern circular paradigm to restore the authentic, elegant **oval geometry** characteristic of the earliest papal-approved sacramentals. Most importantly, we elevate the entire warfare capacity of this shield by triumphantly restoring the sacred **IHS** monogram to its rightful place at the absolute summit of the reverse layout, ensuring the Holy Name of Jesus anchors the entire exorcism framework. Every trace of cheap corporate watermarks and sloppy secular text stamps is eliminated. Once traditionally blessed by a priest using the Church's proper, rigorous formulas, this uncorrupted medal stands as a flawless, high-contrast weapon of deliverance—precisely engineered to force the ancient enemy to retreat and shield the faithful from the snares of hell.

Medal Choices

18K Gold and 18K White Gold/Platinum

Gold Obverse Gold Reverse

18K Gold

Heavy Gold Plated (2µm)

Stainless Steel Core

Silver Obverse Silver Reverse

18K White Gold

Platinum Plated (2µm)

Stainless Steel Core

Acquire the Medal

Strictly Limited Restoration Minting

Important Pre-Order Notice: This offering is restricted to a highly limited restoration quantity. Production slots are allocated strictly on a first-come, first-served baseline to preserve fine-arts quality control. All orders placed during this window are guaranteed to ship before the end of the year, 2026. Please ensure you print and save your digital purchase receipt for your archival records; a formal confirmation email containing the details will be dispatched upon completion of your pre-order.